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And the lack of a big local TV market has merely encouraged broadcasters to look towards international outlets. Some Chilean TV fiction series already figure among Latin America’s best-selling TV adaptations, such as 2009’s Pablo Illanes-penned suspense telenovela “Donde esta Elisa,” whose TV redo rights were acquired for territories such as the Philippines, Turkey, Colombia, India, Indonesia, South Korea, Portugal, Italy and the U.S., where Telemundo produced a version that sold to 45-plus countries.Thanks to the new digital technologies, we are able to reach millions of people we would never have been able to using the old, traditional print methods, while at the same time offering our readers more and better stories in real time and in more attractive formats.But two things are necessary for the press to complete its digital transformation and create a sustainable business model: the right regulatory framework and a strategic alliance with the leading technology companies.Through routine monitoring, we've identified some unusual activity linked to the Optimum email address [email protected] a safety precaution, we strongly recommend you change your password.
Despite the nature of the challenge we face, at EL PAÍS we’re optimistic.
Also, with the exception of Mega, during the first half 2015, top Chilean broadcasters showed losses due to Chile’s TV ad market contraction.